|
|
TF.ORG - The Films - movies download portal
| Movie download page |
|
|
| Year: 2004 |
| Director: Martin Scorsese |
| Cast: Leonardo DiCaprio, Cate Blanchett, Kate Beckinsale, John C. Reilly, Alec Baldwin, Alan Alda, Ian Holm, Gwen Stefani, Jude Law, Adam Scott, Matt Ross, Kelli Garner, Brent Spiner |
| Genres: Drama |
| Runtime: 170 min. |
| IMDB: This film on IMDB |
| Subtitles: OpenSubtitles.org |
| Soundtrack: available |
| Wallpapers: available |
Focusing on his early years (from the 1930 production of 'Hell's Angels' to the 1947 test flight of the Blue Spruce, when he was 42), this is the story of how young Howard Hughes transformed a small fortune into a massive one. The son of the Texan inventor of an amazing drill bit who died when he was 18, leaving him with 75% of the "Hughes Tool Co.", Howard Hughes (DiCaprio) quickly moved to Los Angeles to become a Hollywood film producer, where he helped launch the career of Jean Harlow and other starlets, and producing such classics as Hell's Angels, The Front Page, Flying Leathernecks, and Scarface (the 1932 original), eventually owning RKO Pictures. Hughes' legend came not from focusing on just Hollywood, however, as he simultaneously branched into industry after industry, including aviation in 1932 (including TWA Airlines), and during WWII, defense, leading to the creation of the (infamous) Spruce Goose, a flying boat of immense size. After WWII, Hughes' expansions continued, with an electronics company that was integral to the evolution of the satellite, and Hughes' several Las Vegas casinos (though this film may be ending before he moves there). This film will also focus on Hughes' romances with Hollywood stars like Katharine Hepburn (Blanchett) and Ava Gardner (Beckinsale). (Huston plays the president of TWA; Baldwin plays the president of their competitor, Pan Am)... |
Files: |
 We recommend you to use such download managers as FDM, ReGet or FlashGet for more comfortable films download.
To achieve the best video quality download free video-codecs from Free-codecs.com.
Comments |
| Date: 2007-10-04 01:09:07 |
User: James Shields |
This is an astonishingly beautiful and moving film. Martin Scorcese has created a seminal work -- one that brings the harrowing, big-studio, adult movie making of the 1970's and totally reinvents and reinvigorates it for today's audience.
The story traces the rise and demise of billionaire Howard Hughes as he struggles to find meaning and purpose in a life unfettered by concerns of money, talent or opportunity. Whether trying to get a plane off the ground or a young starlet into bed, Hughes attacks life with a fierce gusto -- plagued and prodded by obsessive compulsive germphobia that constantly threatens to consume and defeat him.
DiCaprio is amazing! It's the performance no one thought he was capable of. It is a dynamic, smart, funny, articulate, intense, mature and ultimately harrowing performance that relaunches his career as one of American's finest actors. At the end of the film, you just want to take him in your arms and sob. It's really that good.
Cate Blanchett is incredible as Katherine Hepburn. At first, I was a little thrown by how bravely she attacked the Hepburn trademark voice, but I was completely won over by the second line. It is a tender, funny, incredibly convincing star turn that supplies the heart for the first half of the film. The scene where she takes Howard home "for dinner" with the family is a classic! Kate Beckinsale does a surprisingly fine job with Eva Gardner -- conveying the slow burning passion of this Hollywood icon without ever lapsing into mere mimicry.
But, in the end, this isn't a love story -- it's a war story -- a war between Howard's unstoppable will and his fierce inner demons battling for Howard's soul. It is the major relationship in the movie and the true heart of the film -- one that fuels his eccentric genius and yet constantly threatens to rip his life apart. He tries to ignore it by sleeping with every beauty in town. He tries to outrun it, building faster and faster airplanes. Yet, it is his one constant companion from early childhood to his ultimate, inescapable end. And it is this relationship that leaves you devastated at the end of the film.
Brilliant! |
| Date: 2008-03-19 15:54:34 |
User: Elmer |
Martin Scorsese's most recent ambitious project does not disappoint.
I just saw this film in a special preview for NYU film students, with Martin Scorsese there to discuss and answer questions after, and I must say, it was pretty phenomenal. It is Martin Scorsese's best work since Goodfellas (this is obvious) and most probably his best work since Raging Bull. DiCaprio's character study of Howard Hughes, and his devotion to this role, is exquisite and reminiscent even of Robert De Niro's in Raging Bull. The film is lengthy, but this compliments it, for the story is riveting and the production is practically flawless (even the combination of computerized processes and more traditional photography was smooth and effective).
The presentation of the film, in an evolving color (from two-tone Technicolor, as Martin explained it to us, to three-tone, to modern by the later sequences) is absolutely stunning, and the cinematography by renowned Robert Richardson, ASC, is some of the best I've seen (and, in my opinion, deserving of an Oscar).
Cate Blanchett was impeccable as Katharine Hepburn, though, at times, I felt that the complexity of her character was never really deeper than a surface analysis.
She did her role flawlessly, but this is not to say that it really Alec Baldwin portrayed one of the flattest villains I've seen in a major motion picture, but, again, this is about Howard Hughes, and DiCaprio's performance is worthy of an Oscar nod at least, and perhaps an Oscar Win (certainly the best performance I've seen all year).
One of my few complaints, though, is the lengthy sequences featuring Howard Hughes as a solo aviator. Though interesting, entertaining even, the film was long enough already, and did not require such an exhaustive analysis of individual flight procedures.
Also, it seems that some of the themes were almost too redundant, such as the ways in which Hughes' psychological problems were performed. Much of the Hollywood history is good, even interesting, but it also sometimes seemed a bit self-indulgent, to the point where you questioned the necessity of ALL of those nightclub sequences in the film.
But, besides those relatively few complaints, it is a spectacular film.
In all: do not miss it. |
| |
| Add comment / More... |
|
|
|
Soundtracks
End of Days (Score)
(1999)
Hairspray
(2007)
Notting Hill
(1999)
GoldenEye
(1995)
|
Home
