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Watchmen /The Watchmen/

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Watchmen
Year: 2009
Director: Zack Snyder
Cast: Malin Akerman, Billy Crudup, Jackie Earle Haley, Jeffrey Dean Morgan, Patrick Wilson, Carla Gugino, Stephen McHattie, Laura Mennell, Rob LaBelle, Gary Houston, James M. Connor, John Shaw
Genres: War, Thriller, Science Fiction, Mystery, Fantasy, Drama, Adventure, Action
Runtime: 160 min.
IMDB: This film on IMDB
Soundtrack: available
Wallpapers: available

 The film begins with a montage of historical scenes painting an alternate history from World War II through the 1980s. The montage includes historical events such as the assassination of John F. Kennedy and the Vietnam War. Due to the success of the Vietnam war, Richard Nixon is shown to be elected to his third term as President.

The story begins in 1985 (by which time masked vigilantes have been outlawed) in the apartment of Edward Blake. Blake fights an intruder and is thrown through a plate glass window, falling to his death. With the police having no leads, costumed vigilante Rorschach decides to probe further. Discovering that Blake was the U.S. employed costumed hero, The Comedian, Rorschach believes he has discovered a plot to eliminate costumed heroes. He then sets about warning three of his retired comrades, Dan Dreiberg (formerly the second Nite Owl), the super powered and emotionally detached Doctor Manhattan and his lover Laurie Juspeczyk (the second Silk Spectre), and Dan goes and speaks with Adrian Veidt (once the hero Ozymandias, and now a successful businessman) about the possible conspiracy.

Appearing on a talk show to answer questions from the audience, Dr. Manhattan learns from a journalist that several of his former associates, including his former lover, Janey Slater, have died from or are dying of cancer. Believing that Manhattan’s godlike powers were the cause, other journalists press on with the story. Manhattan, who has increasingly grown more detached from humanity since the accident that gave him his powers, exiles himself to Mars. Unfortunately, as his presence allowed the U.S. to win the Vietnam War, and keep Soviet aggression in check, Manhattan’s exile gives the Russians the ability to invade Afghanistan.

Having broken up with Manhattan, Laurie finds herself increasingly attached with Dan. After an unsuccessful attempt of having sex, they decide to come out of retirement after agreeing to become superheroes again. After they rescue a group of people from a burning building, they passionately make love in Dan’s Owlship. Meanwhile, Veidt survives an assassination attempt, and Rorschach is sent to prison after being framed for the murder of The Comedian’s former enemy, Moloch the Mystic. Because he is responsible for the detainment of more than 50% of his inmates according to the ironically named "Big Figure" (due to his growth impairment but high influence), Rorschach has a large bounty placed on his head. After a fellow inmate dies from being burned by Rorschach with cooking oil, a riot breaks out in prison. Nite Owl II and Silk Spectre II arrive to spring out Rorschach, and the former two defuse the riot while Rorschach kills Big Figure and his henchmen one by one.

Dr. Manhattan comes back to Earth and takes Laurie with him to Mars, telling her he no longer cares for the human race. Able to see the past and future, Manhattan informs Laurie that there will be a catastrophic event on Earth and denies her request to intervene. Manhattan uses his powers to bring up Laurie’s memories, during which they are surprised to learn that The Comedian, who had once tried to rape Laurie’s mother Sally, was also her father. This discovery re-sparks Manhattan’s interest in humanity, and he returns to Earth with Laurie.

At the same time, Rorschach and Nite Owl II go to Veidt’s office and hack into his computer, discovering that Veidt himself may be the mastermind behind The Comedian’s death, Dr. Manhattan’s exile, and the framing of Rorschach. Rorschach leaves his journal denouncing Veidt’s conspiracy to be found. Nite Owl II and Rorschach travel to Antarctica to confront Veidt in his retreat. Veidt, dressed as Ozymandias, informs them that he was using Dr. Manhattan all along in order to replicate his special kind of energy. After an enduring physical battle, Veidt chides them for thinking him "a comic-book villain" and informs the two that he had executed his plan 35 minutes earlier. All across the world, energy explosions obliterate major cities, leaving 15 million dead. The Americans recognize the energy signatures as those of Dr. Manhattan as opposed to the nuclear weapons of the Soviet Union.

Upon returning to Earth, Dr. Manhattan and Laurie end up in New York City, and experience the devastation in New York firsthand. Realizing that Veidt was responsible, they confront him in his residence. After Veidt shows the heroes that his plan succeeded in ending global hostilities, Dr. Manhattan decides to exile himself to another galaxy in order to create life rather than oppose Veidt. Rorschach, however, refuses to compromise and is quickly vaporized by Dr. Manhattan while leaving. Manhattan says his farewells to Laurie. Nite Owl, devastated and infuriated after witnessing Rorschach’s death, attacks Veidt in a fit of rage, but Veidt does not resist or show signs of pain, which calms Nite Owl down. After talking to Veidt, he reluctantly agrees with Laurie to keep silent about the plan or else the threat of nuclear war will continue.

The film ends with the world together in a united front against all dangers, such as nuclear arms, thus ending the Cold War. Laurie and Dan have gotten together as an official couple as they are visited by Laurie’s mother, Sally Jupiter. The final scene shows a newspaper editor, annoyed at having nothing worthwhile to print, telling a young employee named Seymour to find a good article. This prompts Seymour to get out "The Crank File", a collection of crank letters, among which is Rorschach’s journal.

Files:

Filename: Watchmen 2009 CD1.avi (699.35 Mb)
Codec: XviD MPEG-4 (www.xvid.org)
Runtime: 83 min.
Video: 576x432; 23 fps; 1024 Kbit/s; Vbr
Audio: MPEG Layer-3; 48 Khz; 117 Kbit/s; Stereo; Abr
Rip: DVDRip
Cost: $2.99
Push this button to download movie Watchmen /The Watchmen/
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Filename: Watchmen 2009 CD2.avi (700.17 Mb)
Codec: XviD MPEG-4 (www.xvid.org)
Runtime: 79 min.
Video: 576x432; 23 fps; 1093 Kbit/s; Vbr
Audio: MPEG Layer-3; 48 Khz; 116 Kbit/s; Stereo; Cbr
Rip: DVDRip
Cost: $2.99
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Comments

Date: 2009-03-08 10:21:54 User: marviher
Watchmen Soundtrack Merges History, Money
Few comic books have knit together as many artistic, cultural and political strands as Watchmen, which has finally made the jump from graphic novel to popcorn blockbuster. That's perfect for studios searching for product tie-ins but perhaps not such a great thing for fans of the comic.

Take the music of Watchmen, for example. Like few that preceded it, Alan Moore and Dave Gibbons' comic sampled pop culture's musical history like skilled DJs. From Wagner, Billie Holiday and Elvis to the Dead, Dylan and Iggy, Watchmen cited music in nearly every chapter to keep its dense narrative afloat. Sure enough, some of those tunes made Watchmen's official soundtrack, released Tuesday, which is great news for fans incapable of making their own playlists or mix discs.

The slightly good news is that some of the music that made it into the film, but not the comic, didn't make it to the soundtrack. The bad news? Some lousy songs made both the film and the soundtrack, but never made the comic at all.
As a comic, Watchmen's panels are rocking with musical content. Its first chapter is bookended by lyrics (pictured above) from the Bob Dylan epic "Desolation Row," Highway 61 Revisited's 11-minute closer, which is either about a place in Mexico or New York's Eighth Avenue, depending on whether you ask Dylan or his organist, Al Kooper.

The Grateful Dead covered "Desolation Row" at length in its legendary live shows, and the song is cited when a detective scans a concert poster in Chapter 5 of the Watchmen graphic novel. ("Heh," grumbles the detective, "I used to own the record [that] had this sleeve design.") Meanwhile, for the film's credits and soundtrack, emo noisemaker band My Chemical Romance revised "Desolation Row" in deafening fashion. It even filmed a video for the song, directed by Snyder, that features the band's own live show performed against a backdrop of Rorschach inkblots.

The rabbit hole goes deeper on Chapter 1 alone. Ten pages in, two top-knot punks blast Iggy Pop's "Neighborhood Threat," Lust for Life's trashy rocker co-written by David Bowie and Ricky Gardiner, whose fearsome lyrics (Look down your back stairs, buddy/Somebody's living there an' they don't really feel the weather) perfectly bookend Rorschach's dark prowling. If that's not enough, the chapter concludes with Hollis Mason's theory on why German composer Richard Wagner's "Ride of the Valkyries" is the saddest thing in the world. (His father's boss committed suicide to it.)

Wagner's epic, which was a favorite of Adolf Hitler, a fact known to Moore and Gibbons while writing their exegesis on superheroes and fascism, has seen more than its fair share of cultural appropriation. It has been used for riot or action scenes by D.W. Griffith, Federico Fellini and Francis Ford Coppola, who immortalized it for baby boomers in his Vietnam epic Apocalypse Now (at right). It's also been lampooned in The Blues Brothers and by animation legend Chuck Jones in "What's Opera, Doc?" For his part, Snyder cites not just the tune but also the same Apocalypse Now scene that literalized the score for post-'60s pop culture.

But "Ride of the Valkyries" is pushed aside for more conventional fare on the soundtrack to Watchmen. Nat King Cole's "Unforgettable" and Holiday's cover of "You're My Thrill" both make the cut, and rightly so: The tunes soundtrack Nite Owl and Silk Spectre II's conjugal encounters, in costume and otherwise, in the comic. However, in the film "You're My Thrill" plays during Silk Spectre II's truncated foreplay with multiple Dr. Manhattans (don't ask), while Leonard Cohen's oft-covered "Hallelujah" soundtracks her sex with Nite Owl in Archie the Owl Ship. (In a clever move, Snyder fires up the ship's thrusters during the climax. Nice.)

Cohen's "Hallelujah" didn't make the comic but it did make the soundtrack, as did Simon and Garfunkel's brilliant "Sounds of Silence," which Snyder uses behind The Comedian's funeral. The same goes for non-comic tracks like Janis Joplin's cover of Kris Kristofferson's "Me and Bobby McGee" and, most lamentably, KC & the Sunshine Band's disco hit "I'm Your Boogie Man."

That popular party track is used by Snyder to score Nite Owl and The Comedian's riot-control patrol from Chapter 2 of the graphic novel, a scene that unravels once The Comedian indiscriminately opens fire on crowds of protesters.

The juxtaposition of disco and degraded superheroes just doesn't work, especially when Iggy and The Stooges' anthems like "Down on the Street" or even Iggy's "Neighborhood Threat," which sadly isn't included in the film or the soundtrack, would have worked just fine. No, the awkward inclusion of "I'm Your Boogie Man" feels like it has less to do with Moore and Gibbons' comic than it does with the fact that Warner Music Group's Rhino Records now owns KC & the Sunshine Band's back catalog.

Meanwhile, Nena's forgettable Cold War hit "99 Luftballons," whose German electropop is so mired in the '80s it should have stayed there, lucked into the film during a throwaway scene where Nite Owl and Silk Spectre II meet after the latter leaves Dr. Manhattan. Since it doesn't take more than a sample of that song to induce cringes, it is a wonder that it made the film at all. Perhaps the studio knew this when it left it off the soundtrack, or maybe it secretly knows that few people will pay for "99 Luftballons" when it can be downloaded guilt-free where no one is watching.

Other musical allusions that made the Watchmen comic unfortunately didn't appear in the film, including The Police's "Walking on the Moon," Elvis Costello's "The Comedians" or anything by Devo, who Nite Owl refers after showing off his goggles for Silk Spectre II. More importantly, the other Elvis — Presley for you young folks out there — doesn't show up at all, even though Hollis Mason cites him as one reason Watchmen's forebears The Minutemen hung it up. "Had we fought a war for our country so that our daughters could scream and swoon over young men who looked like this, who sounded like that?" the character writes in his faux autobiography in Chapter 3.

Speaking of The Minutemen, the Los Angeles art-punk band of the same name from the '80s were not included, even though the group, like Moore and Gibbons' legendary comic, railed against Reagan and fascism in brilliant releases like 1981's The Punch Line and, conveniently for our purposes, 1984's The Politics of Time. To date, no one has conclusively pinned down Moore on whether he knew of the band and its similar artistic and political stances when he wrote Watchmen with Gibbons.

Any of the Minutemen's tracks would have worked better than "I'm Your Boogie Man," that's for sure. For a film that nods in so many directions, Snyder's Watchmen could have nodded off less on Iggy and The Minutemen and spared us Nena and KC & the Sunshine Band. That would have been music to our ears.
Date: 2009-03-11 00:39:27 User: ahab
Kind of pointless with no movie files to download...
Date: 2009-03-16 11:10:39 User: christopher zehner
When will this movie become available to download
Date: 2009-03-28 21:06:21 User: marviher
how to download this movie
Date: 2009-04-04 04:04:27 User: Trevor
Terrible quality, i can't even tell if it is actually the movie
Date: 2009-07-06 00:50:51 User: Griff Carlson
the audio is the poorest I have ever gotten from TF..what a waste of money
 
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