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In the Line of Fire /Clint Eastwood: In the Line of Fire/

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In the Line of Fire
Year: 1993
Director: Wolfgang Petersen
Cast: Clint Eastwood, John Malkovich, Rene Russo, Dylan McDermott, Gary Cole, Fred Dalton Thompson, John Mahoney, Gregory Alan Williams, Jim Curley, Sally Hughes, Clyde Kusatsu, Steve Hytner, Tobin Bell, Bob Schott, Juan A. Riojas, Elsa Raven, Arthur Senzy,
Genres: Thriller, Drama, Crime
Runtime: 128 min.
IMDB: This film on IMDB
Soundtrack: available
Plot:
The story begins in Washington D.C., where Frank Horrigan, an aging Secret Service Agent, joins his new partner, Al D’Andrea, on assignment. They travel to a boating marina to meet with members of a counterfeiting ring. While Frank inspects a phony bill, the group’s leader, Mendoza (Tobin Bell), tells Frank that he has identified Al as a Secret Service agent. (The Secret Service’s original mission, when founded in the late 19th century, was to track down counterfeiters and they continue in this capacity to this day.) Frank joins Mendoza on his boat where they have bound Al to a chair. Frank is forced to show his loyalty by putting a gun to Al’s head and pulling the trigger. The gun is empty (a fact that Frank was able to determine while hefting the weapon, although he will later concede that there may have been one round in the chamber) and one of Mendoza’s thugs slips a plastic bag over Al’s head. Frank shoots the plastic bag guy and another of Mendoza’s thugs, frees Al, and shows his badge, telling Mendoza he’s under arrest.Frank investigates a complaint from an elderly landlady (Elsa Raven) about one of her tenants. Frank finds a shrine of sorts to famous assassinations. Later, when Frank and Al acquire a search warrant and enter the man’s apartment they discover that the pictures in the shrine have vanished and only one remains: a much younger Frank standing behind John F. Kennedy in Dallas in 1963.Frank receives a phone call the next evening from a man who insists Frank call him “Booth” after Abraham Lincoln’s assassin. The caller admires Booth because he had “flair, panache.” He tells Frank that he plans to kill the current president. The man also seems to know a great deal of Frank’s history as a Secret Service agent. Frank reports the call to his superiors and an investigation is opened.In a side story, Frank starts an initially-prickly relationship with another agent, Lilly Raines. She helps him get on protection detail for the President, a duty Frank hasn’t had for years and for which, because of his age, he is out of shape.Frank’s sleuthing reveals that Booth is actually a man named Mitch Leary, a former CIA operative (a “wetboy”) who has suffered a mental breakdown and is now a psychotic killer. Leary turns out to be incredibly resourceful; he opens a fake bank account in Los Angeles and is a master of disguise. He is also proficient at gunsmithing and builds a composite (i.e. non-metallic, in this case) zip gun with the bullets hidden in a key chain, so as not to set off any alarms at security gates.Leary taunts Frank with several more phone calls throughout the film. At one point the tracing of his call leads Frank and his fellow agents to a payphone at nearby Lafayette Park, one block from the White House. As Leary flees the scene, he is nearly run over by a passing motorist. Leary also shows up at several public events the current president attends, knowing that Frank will be there on protection detail. At one event, Leary pops several balloons and Frank, suffering from a bad cold, causes an embarrassing scene, thinking they are gunshots.One night Al informs Frank he’s going to retire in the morning because of nightmares of how Mendoza’s men were going to kill him. But he decides not to because Frank insists he needs Al’s help.Another call from Leary the next day leads Frank and Al to a Washington apartment building where the two spot Leary sneaking away. A chase ensues across the roofs of several buildings. It ends when Leary shoots Al and kills him, though in an ironic twist, Leary saves Frank from falling from the building’s ledge. Frank is devastated about Al’s death and becomes even more determined to capture Leary.Frank concludes that Leary will attempt the assassination in Los Angeles, at a huge fundraising event to be held at the Westin Bonaventure Hotel. Frank unnecessarily roughs up a bellhop who has lost his identification card. The incident is filmed by a local news channel and Frank is thrown off protection duty and ordered to return home.While he travels to the airport, another clue, a coded phone number, is discovered by Frank. He finds out that Leary had opened a bank account under a false name and had sent a large donation check to the local office of the President’s party, thereby securing an invitation to the fundraiser.Frank returns to the hotel with the phony name and demands to see the guest seating list at the banquet taking place. He recognizes Leary in disguise at a table near the stage and rushes to stop him. Leary draws his gun and fires just as Frank jumps into the path of the bullet as he is wearing his bulletproof vest. The President is rushed immediately from the scene into his motorcade, which races away.Leary grabs Frank as a hostage and forces him out of the banquet hall and into the hotel’s external elevator. They travel upwards several stories and Leary breaks all the interior lights so nearby snipers can’t target him. Leary threatens to kill Frank and himself and also tells Frank that he saved the aging agent’s career. Frank still has his earpiece and microphone and is able to talk to Lilly and reveal Leary’s position in the elevator for the snipers. They shoot into the elevator, missing both men, but give Frank the opportunity to overpower Leary. The scuffle ends with Leary clinging to the outside of the elevator. Frank offers Leary his help but Leary lets go and plummets to his death.Frank decides to retire and he and Lilly return to Washington. At his apartment, he finds a final voicemail message from Leary, bidding him farewell in case he had succeeded in the assassination attempt and taken his own life afterwards. The two of them leave before the message is finished. The film ends with Lily and Frank sitting by the Lincoln Memorial looking at pigeons while Frank makes the wry comment "I know things about pigeons, Lilly.
Trailer:

Movie files:

Filename: In The Line Of Fire 1993.avi (1 Gb)
Codec: DivX v5
Runtime: 123 min.
Video: 704x304; 25 fps; 1020 Kbit/s; Vbr
Audio: MPEG Layer-3; 44 Khz; 128 Kbit/s; Stereo; Cbr
Rip: DVDRip
Cost: $1.99
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In the Line of Fire comments / review

Date: 2009-12-21 04:32:17 User: PostFilm
In 1963, Frank Horrigan was among the "best and brightest" of the Secret Service, the personal choice of President Kennedy. On November 22 in Dallas, an afternoon that Horrigan will never forget, he became one of the few living agents to lose a president. Now, decades later and only months before a presidential election (perhaps 1992 or 1996 - we're never told exactly), Mitch Leary (John Malkovich) is stalking the President. Believing there to be an intangible bond between himself and Horrigan (he says they were both betrayed by a government they had once loved), Leary makes contact with the Secret Service agent to discuss his intentions. Following his conversation with the potential killer, Horrigan acts quickly to get himself posted to protection duty. This time, he has no intention of failing and believes that, given the opportunity, he will take the bullet. But Leary has everything on his side -- time, opportunity, and a group of pig-headed behind-the-scenes men at the White House who refuse to alter the President's itinerary no matter how grave the apparent danger is. And, as the election draws closer, Horrigan's chances of averting a second tragedy seem progressively less likely.

John Malkovich may be one of the screen's most overlooked actors. Or, at least he was until this performance. It isn't that he's never done good work before -- his interpretation of Lenny in Gary Sinese's Of Mice and Men was masterful -- but most of the time, he hasn't been recognized for it. However, like Anthony Hopkins in Silence of the Lambs, now that Malkovich has been given a visible role in a significant movie, he should get his due. Hands down, Malkovich's assassin is the best thing about this solid thriller -- a villain that rivals Hannibal Lecter for intelligence and cold, calculated viciousness.

Rene Russo gives her strongest performance to date. In truth, she's little more than the "window dressing" that Frank Horrigan suggests is the role of female Secret Service agents, but she manages to do something with a thankless part. Yet, even playing second fiddle to one of Hollywood's most popular leading men, she gets noticed.

Eastwood is Eastwood, albeit a more vulnerable version akin to what we saw in Unforgiven. He's still tough, and he isn't afraid to use his gun, but Frank Horrigan is haunted by his past. He's no longer sure whether it was simple indecision or an unwillingness to take a bullet that led to his not being there for Kennedy, and the possibility that the same situation might arise a second time troubles him day and night. Horrigan gives us the human side of Eastwood -- the side we never see in a Dirty Harry film, the side that isn't afraid to shed a tear.

Director Wolfgang Petersen, best known for Das Boot, but also at the helm for the taut, twisted Shattered, is aware of what's necessary to make a good thriller work. He knows the importance of pacing, and plays the tension in In the Line of Fire like a virtuoso. Petersen takes what could have been a muddled motion picture and structures it perfectly, creating a strong piece of entertainment. It helps, of course, that he has a capable cast.

Plot-wise, In the Line of Fire is nothing extraordinary. It's basically a formula-type thriller with one or two twists thrown in to keep the viewer off-balance. However, strength of character, coupled with a consistently-high level of excitement, makes this film anything but ordinary. The most intriguing element of In the Line of Fire is the cat-and-mouse game between Horrigan and Leary. The relationship of these two is fascinating in a twisted way, as it explores psychological layers which many motion pictures find too difficult to convey realistically.

Overall, this is one of the most intelligent thrillers of the summer. In the Line of Fire doesn't require the special effects bonanza of Jurassic Park to involve the audience, nor does it rely on the mega-budget explosions and mountaintop battles of Cliffhanger. So, for a couple of hours of entertainment, In the Line of Fire is one of those rare "big" movies that doesn't disappoint.
 
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